Miley Cyrus’ “We Can’t Stop”: Hear Her Comeback Single Here

Jun 3rd, 2013 // 6 Comments
Miley & Snoop
Snoop Dogg Miley Cyrus Ashtrays and Heartbreaks
Check out the odd pairing on "Ashtrays and Heartbreaks." Read More »
Miley in Maxim
Miley Cyrus shows skin for Maxim's Hot 100. Read More »
Miley Goes Punk
"PUNK: Chaos To Couture" Costume Institute Gala
Check out her fierce Met Gala look. Read More »
Miley x Will
Will.i.am Miley Cyrus Fall Down
Miley Cyrus & Will.i.am team up for "Fall Down." Read More »
Miley Cyrus We Can't Stop Single Artwork

Somewhere along the last year or two, Miley Cyrus became the most likably weird chick in the pop game: Her stripped-down covers of country classics proved that her talent is more or less unparalleled, while goofy gambits like the twerking video showed that she doesn’t take herself too seriously, even though her haircut is still way cooler than yours.

Meanwhile, she’s been in the studio with production powerhouses like Mike Will and Pharrell — responsible for many of the most innovative and infectious tunes that have dominated radio for the last year — and her labor finally bears fruit in the form of her lead single, “We Can’t Stop,” a hazy slice of downtempo pop that doesn’t sound like anything else on the radio.

It’s a weird song, isn’t it? There’s something kind of brilliantly woozy about it; it sounds quintessentially California, in a cruising-lazily-through-the-streets-of-west-L.A. kind of way. The beat thuds dully, and that low, distorted vocal sample is sinister in the way Mike’s best songs always are, but that pre-chorus is fabulously infectious, and the chorus has a proper pop hook. The lyrics alternate between fan-friendly YOLO riffing and references to molly and getting turnt, which marks a weird but oddly fitting direction for her. The whole thing just feels strange, and kind of wonderful, and curiously diffuse and borderline revelatory.

But most of all, it feels like a perfect encapsulation of the last few years of artistic and personal development for Miley. She still doesn’t care what anyone else thinks. This song doesn’t, either.

Listen below.

  1. Jay

    I can already say like it better than her entire “can’t be tamed” album. The song just perfectly captures who she is right now and it really doesn’t sound like anything on mainstream radio. While I don’t think its the best song of the year or anything, its a nice reintroduction to Miley. Its not as in your face as “can’t be tamed” and I think that’s what makes it work.

  2. Christy

    This is a true comeback single. It’s very different from what’s dominating the radio right now and I think the production is exquisite and Miley’s vocals are killer. It really grows on you, so, much that I have to disagree with Jay and say that this could be the song of the year. There’s this very uplifting, anthem-like quality to it that will make for a killer live performance.

  3. Mm

    I like the fact that she went off the pop-path for this but the lyrical content of this is the same old “party” song that has been around way too much since like 2010.

  4. Naomi

    It’s an okay song I guess. There’s really nothing special about this song, it’s just meh. I kind of feel like that the lyrics are a little lazy, and her voice sounds a little weird. Yes, it’s a new sound for her, but it just comes off as another generic song that has been done many times before.

  5. e lazy, and her voice sounds a little weird. Yes, it’s a new sound for her, but it just comes off as another generic song that has been done many times befo

Leave A Comment