Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the recent film by the Frenchmen Thomas Bangalter and Guy-Manuel De Homem-Christo, Daft Punk’s Electroma:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the sounds of two mid-’70s movies by famed director Robert Altman, California Split and Thieves Like Us:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he talks to fellow film-music obsessive Alan Bishop about Ennio Morricone, underheralded score composers, and the work his group the Sun City Girls did on Harmony Korine’s latest movie, Mister Lonely:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he travels along America’s byways with Wong Kar Wai and his first English-language feature, My Blueberry Nights:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he stumbles across the Jackie Chan movie Snake In The Eagle’s Shadow on a late-night channel surf in China:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the music from Martin Scorsese’s 1976 classic Taxi Driver:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the Jonny Greenwood-composed music that scores Paul Thomas Anderson’s There Will Be Blood:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the long-out-of-print–yet oddly of the moment–score for the 1971 bioterror thriller The Andromeda Strain.
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the music behind John Cassavetes’ 1968 “expression of horror at our society in general” Faces.