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Posts Tagged “who charted”

a who charted special report

The Top Five Albums That Are Going To Be Given As Holiday Gifts This Year: An Unscientific Survey

Sure, Black Friday was a disappointing day for artists who had new releases out, but a little bit of digging into SoundScan shows that the numbers weren't all bad. Taylor Swift, for example, had quite the banner week; her new album Fearless experienced a rare third-week upswing, one that was so dramatic, she nabbed the No. 2 spot on the chart, ahead of Chinese Democracy—and her old album surged back into the Top 30, too. There were many other artists whose albums' sales tallies improved from the prior week, no doubt thanks to some people out there still being OK with the prospect of holiday shopping. (Not too many, but a few.) After the jump, a look at which albums actually performed well on the first-gift-giving-week's chart, and the family members for whom they're likely being snagged. More »

who charted

The Record Business Celebrates The Bad Kind Of Black Friday

If anyone in the music business was hoping that the one-two punch of a holiday weekend and big-name releases would magically convince people to pay for music one last time, they may want to pour themselves a stiff drink, or at least spike their morning latte: Billboard is reporting that the No. 1 album, Kanye West's 808s & Heartbreak, sold 425,000-450,000 copies over the course of last week, while Guns N' Roses' Chinese Democracy woefully underperformed, moving between 250,000 and 260,000 copies during its first week on Best Buy's shelves. And that's not all: Depending on who you ask, overall music sales were down anywhere between 10% and 30% when compared with last year's holiday weekend, although online numbers were OK. Meanwhile, a UK tabloid is claiming that bigwigs at Universal Music Group are blaming the soft landing of Chinese Democracy squarely on Axl, because he didn't do enough press for the album. Even though it probably received more free press than any other record this year. Yeah, it couldn't be that people currently see Guns N' Roses as something of a novelty act, and that people who liked Appetite probably aren't so into the new sound, and that even those people who wanted to give Axl a shot were a bit weirded out by the whole preserved-in-1999-amber feel of the final recorded product, could it? More »

First-week sales of Christina Aguilera's Target-exclusive greatest-hits package Keeps Getting Better, which contains two new songs and two reworkings of old tracks: 73,000. Single-week sales of the title track, which also happens to be one of the two fresh entries on the album: 63,000 (it's sold 479,000 copies to date). You have to wonder: At what point do these cash-in greatest-hits packages get to be, well, not worth the effort, even with the one-big-box-only deals? [Target]

who charted

Teenage Vampire Freaks Take A Bite Out Of AC/DC

This week's No. 1 album: The soundtrack to the forthcoming vampire movie that I am apparently too unfeeling to understand Twilight, which sold 165,000 copies in its debut week on store shelves. The soundtrack, which features a couple of new songs by Paramore as well as tracks by Muse, Linkin Park, and Iron & Wine, was $3.99 at Amazon's MP3 store for one day last week, which no doubt contributed to the 48,000 digital sales it racked up. In other fire-sale news, Maroon 5's Songs About Jane—which was priced under $5 at the iTunes Store last week—moved 14,000 digital copies last week, placing it at No. 3 for the week on the online-only chart, just behind Hinder's Take It To The Limit. See? Variable pricing can move records! Sort of. This week's full top 20 (and digital-albums top 10) after the jump. More »

a who charted special report

Kenny Chesney Moves Down To A Deluxe Apartment

This week's No. 1 album is Kenny Chesney's bummed-out Lucky Old Sun, which sold 176,000 copies in its first week on shelves—not a bad number by current standards, although slightly off from his 387,000-copy first week total of last fall's Just Who I Am: Poets & Pirates. But as it turns out, the official release date for the album was yesterday, at least, if you're going by the day on which the plain old, bell-and-whistle-free version of Sun hit stores. It's a tactic that Sugarland employed earlier this year for the release of Love On The Inside, and to great effect: It came thisclose to outselling Miley Cyrus' Breakout in its first week. But in these hard times, will people wait for the plain old edition to hit the shops, and cause Chesney to be the rare recipient of a second-week uptick in sales—if they buy it at all? More »

a who charted special report

The 27 Albums On This Week's Billboard 200 That Didn't Experience A Week-To-Week Sales Drop

While reading over this week's SoundScan, I noticed—among the thicket of debuts that included Disney's "new Miley Cyrus" Demi Lovato, Kings Of Leon, TV On The Radio (No. 12!), and the Pussycat Dolls (who just managed to squeak into the top five)—that not many full-lengths that had been out for a while were gaining in sales from the previous week. The No. 1 album, Metallica's Death Magnetic, held on despite a 61% drop from the previous sales week, while Ne-Yo's Year Of The Gentleman only dropped from No. 2 to No. 3 on a 67% loss. And the numbers didn't get much prettier from there. In fact, the first album on the chart to experience a week-to-week gain was all the way down at No. 46: M.I.A.'s Kala, which had a modest-in-any-other-week 6% bump. So I decided to figure out just how many non-debuting albums gained momentum during a week that was marked by a lot of chaos on the financial front, and a 6.8% week-to-week decline in overall sales, not to mention a 28.8% year-over-year drop. Those albums—which constitute a mere 13.5% of the chart—are listed, with their big-board placements and overall sales, after the jump. More »

no, really, who charted?

Slipknot Find A Few Chads Hanging Out Under The Game's Couch

When I saw the SoundScan charts this morning, I felt kind of bad for Slipknot. The masked metallers haven't been having the best string of luck recently, and now their album All Hope Is Gone was narrowly beaten out for the top spot on the album tally by LAX, the new album from tormented name-dropper the Game. How small of a margin did they lose by, you ask? Try 13 sales. Well, apaprently I wasn't the only one who felt bad about this: Slipknot, upon seeing this statistic, gathered up its brooding rage and did what any red-blooded American would do: They demanded a recount from the SoundScan folks. You can probably guess what happened next. More »

who charted

Abba Takes It All (This Week, At Least)

Hands up, those of you who thought that the soundtrack to the big-screen adaptation of Mamma Mia!, starring Meryl Streep, Pierce Brosnan, and Amanda Seyfried as people who just bust out into Abba songs at seemingly random intervals, would be this week's top album. Anyone? No? Well, bully on you; the collection sold 131,000 copies, a 5% week-to-week drop that was enough to best both Miley Cyrus' Breakout (102,000 sold) and Sugarland's Love On The Inside (91,000 sold) for the top spot. More »

who charted

Nas Doesn't Need A Title To Wind Up On Top

Nas' new album, which was stripped of its epithetastic title in the months leading up to its release, took the No. 1 spot on this week's album charts, selling 187,000 copies in its first week out. The album, which leaked earlier this month, had a first-week total that was a little more than half of the 355,000-sold mark achieved by Hip-Hop Is Dead a year and a half ago. Nas is Nas' fourth career No. 1. More »

who charted

The Album Charts Are Starting To Feel A Little Comfortable

For another week, Lil Wayne and Coldplay make up the album charts' 1-2 punch, with Tha Carter III taking the top spot (125,000 copies sold) and Coldplay serving as Wayne's best men (113,000 sold). According to Hits, Nas' untitled album is set to break this log jam next week, but I'll believe it when I see it. More »

who charted

Coldplay Is Living The High Life

Coldplay's Viva La Vida, Or Death And All His Friends sold 721,000 copies in its first week on store shelves, a tally that easily propelled them to No. 1 on this week's album charts. And the band's iTunes-forward sales strategy paid off online as well, with a whopping 288,000 virtual copies of the album being downloaded via legal means. (The band's 2005 album X & Y also leapt into the digital-albums top 10, moving 6,200 copies; surely Amazon marking it down to $1.99 helped.) Viva La Vida's one-week virtual total more than doubles the previous record for one-week digital sales, which was held by Jack Johnson's Sleep Through The Static; that album shifted 139,000 e-copies in its first week. More »

who charted

Lil Wayne Can Dry His Tattooed-On Tears

As previously noted, Lil Wayne's Tha Carter III blew into the No. 1 spot on this week's album charts thanks to a sales total that just broke the million mark—a feat that isn't all surprising given last week's early-bird chart debut, but is still probably causing some chilling-since-2005 Champagne corks to get popped in the offices of Universal Music Group. More »

who charted

Disturbed Triumphs In The Fiery World Of "Now" Compilations And Dorky Weezer Fans

Disturbed's Indestructible took this week's top spot on the album charts, selling 253,000 copes in its first week and coming out atop a heap of debuts that included the latest Now cash-in comp, Weezer's latest attempt to get money from the nerds who read Digg, and Jewel's play for the country crowd. I just hope that there's at least one person out there who bought Indestructible based on its cover alone, because really, that is something to behold. More »

who charted

Usher Stands Tall, But Mariah Teeters Over Him

Usher's Here I Stand was widely expected to take the top spot on this week's albums chart, and it did. But its seemingly endless promotional blitz, which stretched from Dancing With The Stars to the morning shows and back to crazytown, resulted in 443,000 sales—a respectable total when you think about the fact that this week's No. 10 album (Death Cab For Cutie's Narrow Stairs didn't even sell 10% of that figure, but just shy of the 463,000 first-week total for Mariah Carey's E=MC2. (I knew he should have brought the ice-cream truck to TRL!) More »

who charted

Death Cab For Cutie's No. 1 Album Inspires Lots Of Stair-Related Metaphors

Last week, Death Cab For Cutie's Narrow Stairs was the only album to break the six-figures-sold mark, moving 144,000 copies and topping the SoundScan charts for the week. Some 55,000 of those sales came through digital outlets, enough for Stairs to top this week's digital-albums chart and make it the 16th-highest-selling digital album of the year. More »

who charted

Neil Diamond Finds Temporary Shelter Atop The Album Charts

The Rick Rubin-produced Neil Diamond album Home Before Dark took the top spot on this week's album chart, selling 146,000 copies and easily outpacing its competition. Home is somehow the first No. 1 album of Diamond's career, which is probably more a testament to the wacky way the album charts were calibrated back in the day than it is to the fact that he's been reaching out to the MySpace generation. More »

who charted

Madonna Does Her Part To Save The Pop Charts

Madonna's Hard Candy was last week's top-selling album, shifting 280,000 copies in its first week of release and leaving every other commercially available offering in the dust. Candy was the only album on this week's chart to break the six-figures-sold mark; Mariah Carey's E=MC2, the runner-up to Hard Candy, sold 95,000 copies. More »

who charted

Those Two Dudes From TV Finally Score

On first glance, the top four occupants of this week's album chart—Mariah Carey's E=MC2 (182,000 copies); Leona Lewis' Spirit (96,000); Flight Of The Conchords (52,000); and Ashlee Simpson's Bittersweet World (47,000)—are a testament to the importance of television in promoting albums; all four artists had their albums co-promoted on various chat and game shows last week (and, in the case of the mumble-funny Kiwis in Flight, their own HBO series). On second look, their sales totals are further evidence that the bar for a "successful" album is even lower these days, particularly if you count the sales of the No. 5 album, Atmosphere's When Life Gives You Lemons You Paint That Shit Gold, which sold 36,000 copies last week. When life gives you lemons, indeed. More »