As you might have noticed, this is a bittersweet week around here; because of budget cuts, we’ve had to say goodbye to pretty much all the Idolator contributing writers, from columnists to daily bloggers. The site is going to go on as a solo project of sorts, although the news cycle might run at a slightly slower pace. I just wanted to take a moment on this crappy day to thank everyone who’s contributed to the site during my tenure, from the people who helped me sift through the news cycle every day to the columnists, each of whom expanded the focus of the site. More »
Idolator film-music critic Andy Beta places the videos for “Gimme All Your Lovin’,”: “Sharp Dressed Man,” and “Legs” under his critical microscope: “Under such pressure, these blue-collar boys encounter their fairy godfathers, ZZ Top (who appear like a mirage in the Texas Panhandle landscape), via… More »
Just two days after pondering the idea of “world music” via The Believer’s new music issue, I ran across an actual music mag jumping into the same pool. More »
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he talks to fellow film-music obsessive Alan Bishop about Ennio Morricone, underheralded score composers, and the work his group the Sun City Girls did on Harmony Korine’s latest movie, Mister Lonely:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he travels along America’s byways with Wong Kar Wai and his first English-language feature, My Blueberry Nights:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the music from Martin Scorsese’s 1976 classic Taxi Driver:
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he listens to the long-out-of-print–yet oddly of the moment–score for the 1971 bioterror thriller The Andromeda Strain.
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he checks out Todd Haynes’ look at Bob Dylan’s multiple personalities, I’m Not There.
Ed. note: Today, we introduce “VHS Or Beta?”, a new column in which Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In his opening column, he takes on the soundtrack to the Andy Samberg comedy Hot Rod, which, alas, is “Dick In A Box”-free.
