Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he checks out Todd Haynes’ look at Bob Dylan’s multiple personalities, I’m Not There.
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the early works of Japanese composer Toru Takemitsu.
Ed. note: It’s time for another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he watches the Anton Corbijn-directed Control, which opens in select cities on Wednesday:
Ed. note: Here’s another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he travels back to the ’60s with Julie Taymor, the Beatles back catalogue, and the Fab Four-created world of Across the Universe:
Ed. note: Here’s another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he turns on the radio in Vanishing Point‘s Challenger:
Ed. note: Here’s another installment of “VHS Or Beta?”, where Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In this installment, he looks at the 2006 documentary Fabricando Tom Zé, which looks at the life of the Brazilian musician.
Ed. note: Today, we introduce “VHS Or Beta?”, a new column in which Andy Beta looks at the music behind the movies–from preserved-by-Criterion classics to completely inane summer blockbusters. In his opening column, he takes on the soundtrack to the Andy Samberg comedy Hot Rod, which, alas, is “Dick In A Box”-free.
