Fergie was one of the first big names to walk the red carpet at the American Music Awards in Los Angeles tonight (November 23). And, as usual, she put the boys on rock, rock with a sexy black dress and glamorous old Hollywood hairstyle. The Black Eye Peas frontwoman will perform her comeback single “L.A. Love” for the very first time during the show, which should be all the catchy bop needs to zoom up the charts.
After a slow start (the song is a grower), “L.A. Love” has steadily been creeping up the Billboard Hot 100 and iTunes. The star-studded video, which finds Fergie driving around the City of Angels in a party bus with famous friends Kelly Osbourne, Sevyn Streeter and YG certainly helped give the Cali-repping anthem a little momentum. All she needs now is a great performance and the diva will have another smash on her hands. Check out her pics up top. More »
Electronic artist James Blake reveals that he and Kanye West may record a collaboration to round out Blake’s forthcoming third album.
“In terms of the actual collaboration for this record, it looks like we should be able to get something done,” he said to Miami New Times. “I know that there’s a specific song I would like him to be on, and if he can do that by the time my record comes out, that would be fantastic.”
Blake won the Mercury Prize for his second studio album, 2013′s Overgrown. Since then, in between remixes (Destiny Child‘s “Bills Bills Bills,” Beyonce‘s “Drunk In Love”) under the moniker Harmonimix, he has been one of the many artists – including Sir Paul McCartney, and for a song called “Piss On My Grave” — linked to West’s follow-up to last year’s Yeezus. More »
Recently, Taylor Swift became the first woman to unseat herself from the Billboard Hot 100′s top spot. Prior to that, her new album 1989 had the highest first-week sales since Eminem‘s The Eminem Show – in 2002. So naturally, as E! reports, the American Music Awards chose to recognize Swift with the first-ever Dick Clark Award for Excellence, to be presented by none other than Diana Ross.
Ross – Supremes frontwoman, disco frontrunner and future Voice guest mentor – has been honored a few times herself lately. Aretha Franklin covered the group’s 1966 No. 1 hit “You Keep Me Hangin’ On” for her concept covers album, Aretha Franklin Sings the Great Diva Classics. Later, Bette Midler offered a country and western take on another Supremes No. 1 record from the same year, “You Can’t Hurry Love,” for her girl-groups cover album It’s the Girls! More »
Sir Bob Geldof has stressed that he only has good intentions behind each rewrite of Band Aid‘s charity single “Do They Know It’s Christmas.” The songwriter does this because he has been criticized before for questionable lyrics, like when Bono sings “Well, tonight thank God it’s them instead of you” in the original 1984 edition. Some have also said that, while attempting to raise awareness on the ’80s drought or the ebola crisis, Band Aid’s portrayals of Africa reinforce negative stereotypes.
Last night (November 22), Emeli Sande became the latest to address recent criticism surrounding Band Aid 30, featuring One Direction, Sam Smith, Bono and herself. “Yes, I agree the lyric needs changing. In fact I feel a whole new song is required,” she says. She also reveals that she and genre-bending Beninese vocalist Angelique Kidjo wrote and sang suggested edits, Geldof ultimately left them out. See her Twitter statement in full below. More »
“Locked Out of Heaven” collaborators Mark Ronson and Bruno Mars have teamed up once more for “Uptown Funk,” the lead single off Ronson’s upcoming album Uptown Special (due out on January 27), and they turned out their first television performance of the song on Saturday Night Live this weekend. Although this will be the fourth LP for Grammy-winning producer Ronson, it’s turning out to be his most high profile project as a lead artist, with “Uptown Funk” currently in the Top 10 on iTunes.
The pair later debuted new track “Feel Right” with special guest Mystikal on SNL. Watch Mark and Bruno’s SNL performance of their new single above, then catch “Feel Right” below to see what all the fuss is about. More »
CL, dynamic lead vocalist of the must-hear 2NE1, surprised both K-Pop and dubstep fans when she popped up in Skrillex‘s forward-thinking debut album Recess. Then last month, she made headlines as she cemented plans to make her stateside debut next year, and while working with super-manager Scooter Braun (Justin Bieber, Ariana Grande, Psy). Last night (November 21), CL showed fans that she’s pulling out all the stops for her U.S. takeover, by hitting the studio and posing (above) with producers Skrillex, Diplo and RoccStar.
When Diplo isn’t working as chief architect and spokesman for Madonna‘s forthcoming new album, he has been teaming with Skrillex in the joint side project Jack Ü, as heard in Kiesza collaboration “Take U There.” Skrillex himself worked with rising moombahton star Dillon Francis on a song to appear in the latter’s upcoming EP, not to be mistaken for debut album Money Sucks, Friends Rule. Meanwhile, RoccStar’s most recent clients include Usher (“Clueless”), Jennifer Lopez, Chris Brown and comeback kid Fergie.
See more snapshots from CL’s studio session below. More »
Eminem and 50 Cent star in the new, 66-track mixtape Shady Classics. This quick-cutting compilation by DJ Whoo Kid (formerly 50 Cent’s touring DJ, now Shade 45 personality) is of fan favorites from throughout the label’s 15-year history, and these songs are dizzying, vulgar reminders of just how much has changed since Shady Records was formed.
In some songs, Eminem seems to be testing out flows and subject matter – in particular, America’s lazy parenting – that would be fine-tuned for The Eminem Show. At one point, he actually shouts out Tower Records as he boasts of picking up the new Cypress Hill. And in “We All Die One Day,” he picks on rumored ex Mariah Carey while lyrically referencing Ricky Martin‘s “Livin’ La Vida Loca.”
Shady Classics arrives just two days before Eminem releases the two-disc Shady XV, which features 12 new tracks (including his Sia-featuring “Guts Over Fear”) and greatest hits like 50 Cent’s “In Da Club.” Hear the career-spanning mixtape, as premiered by Hot New Hip Hop, below. More »
Usher has been revisiting his stacked back catalog during his ongoing tour. When the UR Experience hit Los Angeles last night (November 21), though, he invited next-generation R&B singers to join him on stage.
There was Kid Ink, the producer-rapper who slyly asks for consent in current single “Body Language,” also featuring Usher and Tinashe. There was Jeremih, who co-stars in DJ Khaled‘s R&B posse cut “Hold You Down.” And then there was Chris Brown, who crept up on stage, only to be met with cheers the moment he looked up at the crowd. Not even UR Experience opener August Alsina could resist from capturing the moment on his iPhone.
The older Usher has gotten, the more open he has become to working with new sounds and artists. (Lately, some have argued that he does this to a fault.) So when these younger, more nonchalant and R. Kelly-inspired singers took the stage, he followed their lead until it was time for him to peel his tank top off. (Predictably, this was met with cheers.)
Unfortunately, with Brown’s cameo (Alsina’s “I Luv This Shit” remix, “Loyal,” “New Flame”) that meant less actual singing, with the backing track doing most of the work, and more dancing to win over the crowd. Watch the UR Experience “turn all the way the f— up” – their words, not ours – below. More »
Happy Friday, Idolator readers! Did you have a good week? Same. As always, a whole bunch of pop happenings went down in the past few days — including the release of One Direction‘s highly anticipated fourth studio album, FOUR! (And yes, it’s already on track to having the second highest-selling opening week sales of 2014…just below Taylor Swift, of course.)
Plus, Sia announced her new “Iko Iko” cover for her husband’s Kickstarter project, Pentatonix gave us their “Mary, Did You Know?” visual and we celebrated the 5th anniversary of Lady Gaga‘s Fame Monster EP. (Time flies when you’re cheek to cheek!) And, in case you haven’t seen it yet, we took a time machine back to the grand year in music that was 1994 and counted down the Top 50 best songs, with interviews from acts like Ace Of Base, Haddaway and Lisa Loeb. Check it out!
As always, you guys had plenty to say. Check out some of the week’s best and worst comments after the jump. More »
When it comes to breaking the internet, Beyonce is in a league of her own. After changing the way music is promoted and released forever with her pioneering visual album, the 33-year-old just made a mockery of your fave’s big budget videos by dropping a hilarious, do-it-yourself visual for “7/11″. Seriously, this looks like it was filmed on Queen Bey’s iPhone but it’s still hands down the best thing you will see today (November 21) or, quite possibly, ever.
The lead single from the diva’s Beyonce reissue is a divinely ratchet club-banger that left some dazed and confused by its furious production and crazy lyrics. (It’s too next level for basics). You’d expect the video to be an elaborate, choreography-heavy extravaganza, right? Nah. Bey made the video in a hotel room. She busts out some insane dance moves on the balcony — wearing no make-up, panties and baggy sweater — before indulging in some sexy bathroom twerking. She then gets wild with her girls in the hallway. It’s absolutely everything and you need to watch it now. More »